Dissidences*. Sound, voice, word. — Dissidences*. Sound, voice, word. — Dissidences*. Sound, voice, word. — Dissidences*. Sound, voice, word.
Poetesses and/or poets, singers, performers, gather in a semi circle around a music improviser. Reading, reciting, singing or babbling. Spontaneity and dissidence are the rules. Spontaneity and dissidence will be the basis for the creation of a collective piece.
Dissidents 2:
Lucia Sellars, Ivor Kallin and Luisa Amorin with voice, words and movement.
Titus Barker with live electronics.
Lucia Sellars, poetess and visual artist, was born in the UK, but grew up in Santa Cruz de la Sierra, Bolivia until her late adolescence. She speaks both English and Spanish and both cultures have influenced her creativity and way of expression. Even though she doesn’t feel fully belonging to either culture, she has got used to having ‘floating roots’ and feel like ‘home’ is her own self.
https://www.luciasellars.org
Ivor Kallin practices vocal performances draw on the languages of his cultural heritage: Scots, Yiddish and Dada as roots for improvisation, not based on meaning but on the expression of sound. But sometimes he writes them down, as evidenced in his first collection, Outwith, embellished with the drawings of Jenny Kallin.
The Ambrosia Rasputin Show by Resonance FM
https://www.youtube.com/@TwothirteenTV
https://scatterarchive.bandcamp.com/album/bagpipe-practice-room
Luisa Amorim is a Portuguese performance artist based in London whose work dramatizes the everyday through real-time interactions and audience participation. Her practice explores gender identity, feminine aesthetics, womanhood, motherhood, and ageing. Blending theater, performance art, installation, dance, and poetry, she’s been presenting her work between the UK and Portugal. She studied Drama at ESTC in Lisbon and holds an MA from Goldsmiths University of London.
https://www.instagram.com/lousapage/
Titus Barker
https://www.titusbarker.com/Field%20Recordings.html
Doors at 4. Performance 4.30 Free / Donations for the artists.
* “Protests against the official policies” — * “Protests against the official policies” —* “Protests against the official policies” — * “Protests against the official policies”
