Ute Kanngiesser/Otto Willberg/Phil Durrant/Douglas Benford. Sunday 8th March 15:30

Doors 3:30 | music 4pm | entry £5

Ute Kanngiesser is a German, London based cellist. Classically trained as a child, she turned to improvisation and experimental music while practicing physical theatre and dance in Berlin. She has worked with some of the most influential players of free music and experimental composition, as well as artist film makers, writers and architects. Most recent collaborations have been with John Tilbury, Seymour Wright, Paul Abbott, Billy Steiger, Angharad Davies, Steve Noble, Crystabel Riley, Rie Nakajima, Daniel Blumberg, Jim White, Eddie Prevost, John Butcher, Evie Ward, Tom Wheatley, Jennifer Allum, Marjolaine Charbin, Dimitra Lazaridou Chatzigoga, Keiko Yamamoto, Phil Minton, Pak Yan Lau, Assemble, and Keira Greene. Her music has been released on Otoroku, Matchless, Earshots, Another Timbre and Mute.
https://www.utekanngiesser.com/

Otto Willberg is a London based musician performing on the double bass. He currently performs with the funk/junk/punk band Historically Fucked, Alex Ward’s large groups, Andreae/Birchall/Willberg and leads the naive groove group Early Nite.
http://ottowillberg.com/

Phil Durrant is a multi-instrumentalist improviser/composer/sound artist who currently performs solo and group concerts.
As a violinist (and member of the Butcher/Russell/Durrant trio), he was one of the key exponents of the “group voice approach” style of improvised music. In the late 90s, his trio with Radu Malfatti and Thomas Lehn represented a shift to a more “reductionist” approach. Recently, he has been performing solo and duo concerts with Phil Maguire, Bill Thompson, Mark Sanders, Lee Patterson and drone concerts with Mark Wastell, Phi Julian, Rhrodri Davies, Bill Thompson, using an analogue/digital modular synthesizer system. As a mandolinist, he has been performing regularly with guitarist Martin Vishnick and a quartet with Sue Lynch, Hutch Demouilpied and Dave Fowler.
Durrant still performs regularly with the acoustic/electronic group Trio Sowari (with Bertrand Denzler and Burkhard Beins) and Mark Wastell’s The SEEN.

Douglas Benford, composer and sound artist, has been involved in various audio genres since the late 1980s, performing at institutions in the UK (Bristol’s Arnolfini, London’s Science Museum, Tate Modern, The Roundhouse, ICA and Glasgow’s CCA), festivals worldwide (Mutek, Synch, Transmediale) and has had installation work in numerous UK galleries (London, Swansea, Stroud and Essex). After numerous electronica releases in his ‘si-cut.db’ guise, in the past few years he has focused on acoustic improvisation and installations, using field recordings, classical instruments, vocals and children’s toys. His collaborators include Blanca Regina, poet Tamar Yoseloff, Angharad Davies, Lina Lapelyte, Clive Bell, Steve Beresford, sculptor Rob Olins, as well as – in the past – pop group Saint Etienne, Jem Finer (The Pogues), Momus, Rod Thomas (Bright Light Bright Light), Scanner, Stephan Mathieu and DJ Andrew Weatherall. He is also co-curator with Iris Garrelfs since 1996, of Sprawl audio events in London.
http://douglasbenford.org.uk

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