Ken Ikeda, Rie Nakajima & Clive Bell. Friday 12th October 19:30

Ken Ikeda  is a composer and performer, born in Tokyo. He creates unique electric improvisation by a delicate combination of sign wave. After studying at Berklee College of Music, he has exhibited sound art and visual installations around the world. He has released five solo albums and collaborated albums with David Toop, Eddie Prevost, John Russell, Toshimaru Nakamura, Tetuzi Akiyama, Chihei Hatakeyama and many other improvising musicians; Also he  has collaborated with, amongst others, visual artist Mariko Mori, Hiroshi Sugimoto, Tadanori Yokoo, Darren Almond; and composed and recorded for film maker David Lynch

Rie Nakajima is a Japanese artist based in the UK. She has exhibited and performed all over the world charming audiences with her inventive works of mechanical bricolage. In 2014 she received the Arts Foundation prize for Experimental Music. She co-curates the event series ‘Sculpture’ with David Toop and has collaborated with Miki Yui, David Cunningham, Phill Niblock, Pierre Berthet and many others.

Clive Bell is a musician, composer and writer with a specialist interest in the shakuhachi (Japanese flute), khene (Thai mouth organ) and other East Asian wind instruments. He has travelled extensively in Japan (where he studied shakuhachi with the master Kohachiro Miyata), Thailand, Laos and Bali, researching music and meeting local practitioners. He joins koto and shamisen players to perform the Japanese classical repertoire. He toured for over a decade with Jah Wobble, including shows at Ronnie Scott’s and the Glastonbury Festival. Clive Bell has a substantial recording history as both a solo artist (his recent solo album, Asakusa Follies, is on Cusp Editions), and as a composer for film, TV and theatrical productions (Complicite, Kazuko Hohki, IOU, Whalley Range Allstars). Sylvia Hallett, Jaki Liebezeit, David Sylvian, David Toop, Jochen Irmler of Faust and Bill Laswell number among Clive Bell’s collaborators. Based in Tottenham, London, he writes regularly for the music monthly The Wire.

 

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